A Journal of Impressions in Belgium — Reading Notes

(5 User reviews)   1032
In Category - Social History
Sinclair, May, 1863-1946 Project Gutenberg 2010 Not confirmed
World War, 1914-1918 -- Personal narratives Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 72,410
Reading time 315 min
Text sections 7

For A Journal of Impressions in Belgium — Reading Notes, the stored edition analysis reports 72,410 words, 5 hr 15 min estimated reading time, and 7 detected text sections.

The text analysis averages about 16.5 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “World War, 1914-1918 -- Personal narratives,” connecting these edition facts with the source record’s subject description.

May Sinclair's 1915 diary of her brief time with a field ambulance unit in Belgium, focusing on psychological impressions rather than military facts, and revealing the tension between her desire for danger and her actual role.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Who did what I only dreamed. Though you have taken my dream, And dressed yourselves in its beauty and its glory, Your faces are turned aside as you pass by. I am nothing to you, For I have done no more than dream.

Your faces are like the face of her whom you follow, Danger, The Beloved who looks backward as she runs, calling to her lovers, The Huntress who flies before her quarry, trailing her lure. She called to me from her battle-places, She flung before me the curved lightning of her shells for a lure; And when I came within sight of her, She turned aside, And hid her face from me.

But you she loved; You she touched with her hand; For you the white flames of her feet stayed in their running; She kept you with her in her fields of Flanders, Where you go, Gathering your wounded from among her dead. Grey night falls on your going and black night on your returning. You go Under the thunder of the guns, the shrapnel's rain and the curved lightning of the shells, And where the high towers are broken, And houses crack like the staves of a thin crate filled with fire; Into the mixing smoke and dust of roof and walls torn asunder You go; And only my dream follows you.

That is why I do not speak of you, Calling you by your names. Your names are strung with the names of ruined and immortal cities, Termonde and Antwerp, Dixmude and Ypres and Furnes, Like jewels on one chain--

Thus, In the high places of Heaven, They shall tell all your names.

This is a "Journal of Impressions," and it is nothing more. It will not satisfy people who want accurate and substantial information about Belgium, or about the War, or about Field Ambulances and Hospital Work, and do not want to see any of these things "across a temperament." For the Solid Facts and the Great Events they must go to such books as Mr. E. A. Powell's "Fighting in Flanders," or Mr. Frank Fox's "The Agony of Belgium," or Dr. H. S. Souttar's "A Surgeon in Belgium," or "A Woman's Experiences in the Great War," by Louise Mack.

For many of these impressions I can claim only a psychological accuracy; some were insubstantial to the last degree, and very few were actually set down there and then, on the spot, as I have set them down here. This is only a Journal in so far as it is a record of days, as faithful as I could make it in every detail, and as direct as circumstances allowed. But circumstances seldom _did_ allow, and I was always behindhand with my Journal--a week behind with the first day of the seventeen, four months behind with the last.

This was inevitable. For in the last week of the Siege of Antwerp, when the wounded were being brought into Ghent by hundreds, and when the fighting came closer and closer to the city, and at the end, when the Germans were driving you from Ghent to Bruges, and from Bruges to Ostend and from Ostend to Dunkirk, you could not sit down to write your impressions, even if you were cold-blooded enough to want to. It was as much as you could do to scribble the merest note of what happened in your Day-Book.

But when you had made fast each day with its note, your impressions were safe, far safer than if you had tried to record them in their flux as they came. However far behind I might be with my Journal, it was _kept_. It is not written "up," or round and about the original notes in my Day-Book, it is simply written _out_. Each day of the seventeen had its own quality and was soaked in its own atmosphere; each had its own unique and incorruptible memory, and the slight lapse of time, so far from dulling or blurring that memory, crystallized it and made it sharp and clean. And in writing _out_ I have been careful never to go behind or beyond the day, never to add anything, but to leave each moment as it was. I have set down the day's imperfect or absurd impression, in all its imperfection or absurdity, and the day's crude emotion in all its crudity, rather than taint its reality with the discreet reflections that came after.

I make no apology for my many errors--where they were discoverable I have corrected them in a footnote; to this day I do not know how wildly wrong I may have been about kilometres and the points of the compass, and the positions of batteries and the movements of armies; but there were other things of which I was dead sure; and this record has at least the value of a "human document."

There is one question that I may be asked: "Why, when you had the luck to go out with a Field Ambulance Corps distinguished by its gallantry--why in heaven's name have you not told the story of its heroism?"

Well--I have not told it for several excellent reasons. When I set out to keep a Journal I pledged myself to set down only what I had seen or felt, and to avoid as far as possible the second-hand; and it was my misfortune that I saw very little of the field-work of the Corps. Besides, the Corps itself was then in its infancy, and it is its infancy--its irrepressible, half-irresponsible, whole engaging infancy--that I have touched here. After those seventeen days at Ghent it grew up in all conscience. It was at Furnes and Dixmude and La Panne, after I had left it, that its most memorable deeds were done.[A]

And this story of the Corps is not mine to tell. Part of it has been told already by Dr. Souttar, and part by Mr. Philip Gibbs, and others. The rest is yet to come.

[Footnote A: See Postscript.]

A JOURNAL OF IMPRESSIONS IN BELGIUM

A JOURNAL OF IMPRESSIONS IN BELGIUM

[_September 25th, 1914._]

After the painful births and deaths of I don't know how many committees, after six weeks' struggling with something we imagined to be Red Tape, which proved to be the combined egoism of several persons all desperately anxious to "get to the Front," and desperately afraid of somebody else getting there too, and getting there first, we are actually off. Impossible to describe the mysterious processes by which we managed it. I think the War Office kicked us out twice, and the Admiralty once, though what we were doing with the Admiralty I don't to this day understand. The British Red Cross kicked us steadily all the time, on general principles; the American snubbed us rather badly; what the French said to us I don't remember, and I can't think that we carried persistency so far as to apply to the Russian and the Japanese. Many of our scheme perished in their own vagueness. Others, vivid and adventurous, were checked by the first encounter with the crass reality. At one time, I remember, we were to have sent out a detachment of stalwart Amazons in khaki breeches who were to dash out on to the battle-field, reconnoitre, and pick up the wounded and carry them away slung over their saddles. The only difficulty was to get the horses. But the author of the scheme--who had bought her breeches--had allowed for that. The horses were to be caught on the battle-field; as the wounded and dead dropped from their saddles the Amazons were to leap into them and ride off. On this system "remounts" were also to be supplied. Whenever a horse was shot dead under its rider, an Amazon was to dash up with another whose rider had been shot dead. It was all perfectly simple and only needed a little "organization." For four weeks the lure of the battle-field kept our volunteers dancing round the War Office and the Red Cross Societies, and for four weeks their progress to the Front was frustrated by Lord Kitchener. Some dropped off disheartened, but others came on, and a regenerated committee dealt with them. Finally the thing crystallized into a Motor Ambulance Corps. An awful sanity came over the committee, chastened by its sufferings, and the volunteers, under pressure, definitely renounced the battle-field. Then somebody said, "Let's help the Belgian refugees." From that moment our course was clear. Everybody was perfectly willing that we should help the refugees, provided we relinquished all claim on the wounded. The Belgian Legation was enchanted. It gave passports to a small private commission of inquiry under our Commandant to go out to Belgium and send in a report. At Ostend the commission of inquiry whittled itself down to the one energetic person who had taken it out. And before we knew where we were our Ambulance Corps was accepted by the Belgian Red Cross.

Only we had not got the ambulances.

And though we had got some money, we had not got enough. This was really our good luck, for it saved us from buying the wrong kind of motor ambulance car. But at first the blow staggered us. Then, by some abrupt, incalculable turn of destiny, the British Red Cross, which had kicked us so persistently, came to our help and gave us all the ambulances we wanted.

There are thirteen of us: The Commandant, and Dr. Haynes and Dr. Bird under him; and Mrs. Torrence, a trained nurse and midwife, who can drive a motor car through anything, and take it to bits and put it together again; Janet McNeil, also an expert motorist, and Ursula Dearmer and Mrs. Lambert, Red Cross emergency nurses; Mr. Grierson, Mr. Foster and Mr. Riley, stretcher-bearers, and two chauffeurs and me. I don't know where I come in. But they've called me the Secretary and Reporter, which sounds very fine, and I am to keep the accounts (Heaven help them!) and write the Commandant's reports, and toss off articles for the daily papers, to make a little money for the Corps. We've got some already, raised by the Commandant's Report and Appeal that we published in the _Daily Telegraph_ and _Daily Chronicle_. I shall never forget how I sprinted down Fleet Street to get it in in time, four days before we started.

And we have landed at Ostend.

I'll confess now that I dreaded Ostend more than anything. We had been told that there were horrors upon horrors in Ostend. Children were being born in the streets, and the state of the bathing-machines where the refugees lived was unspeakable. I imagined the streets of Ostend crowded with refugee women bearing children, and the Digue covered with the horrific bathing-machines. On the other hand, Ostend was said to be the safest spot in Europe. No Germans there. No Zeppelins. No bombs.

And we found the bathing-machines planted out several miles from the town, almost invisible specks on a vanishing shore-line. The refugees we met walking about the streets of Ostend were in fairly good case and bore themselves bravely. But the town had been bombarded the night before and our hotel had been the object of very special attentions. We chose it (the "Terminus") because it lay close to the landing-stage and saved us the trouble of going into the town to look for quarters. It was under the same roof as the railway station, where we proposed to leave our ambulance cars and heavy luggage. And we had no difficulty whatever in getting rooms for the whole thirteen of us. There was no sort of competition for rooms in that hotel. I said to myself, "If Ostend ever is bombarded, this railway station will be the first to suffer. And the hotel and the railway station are one." And when I was shown into a bedroom with glass windows all along its inner wall and a fine glass front looking out on to the platforms under the immense glass roof of the station, I said, "If this hotel is ever bombarded, what fun it will be for the person who sleeps in this bed between these glass windows."

We were all rather tired and hungry as we met for dinner at seven o'clock. And when we were told that all lights would be put out in the town at eight-thirty we only thought that a municipality which was receiving all the refugees in Belgium must practise _some_ economy, and that, anyway, an hour and a half was enough for anybody to dine in; and we hoped that the Commandant, who had gone to call on the English chaplain at the Grand Hotel Littoral, would find his way back again to the peaceful and commodious shelter of the "Terminus."

He did find his way back, at seven-thirty, just in time to give us a chance of clearing out, if we chose to take it. The English chaplain, it seemed, was surprised and dismayed at our idea of a suitable hotel, and he implored us to fly, instantly, before a bomb burst in among us (this was the first we had heard of the bombardment of the night before). The Commandant put it to us as we sat there: Whether would we leave that dining-room at once and pack our baggage all over again, and bundle out, and go hunting for rooms all through Ostend with the lights out, and perhaps fall into the harbour; or stay where we were and risk the off-chance of a bomb? And we were all very tired and hungry, and we had only got to the soup, and we had seen (and smelt) the harbour, so we said we'd stay where we were and risk it.

And we stayed. A Taube hovered over us and never dropped its bomb.

When we compared notes the next morning we found that we had all gone soundly to sleep, too tired to take the Taube seriously, all except our two chauffeurs, who were downright annoyed because no bomb had entered their bedroom. Then we all went out and looked at the little hole in the roof of the fish market, and the big hole in the hotel garden, and thought of bombs as curious natural phenomena that never had and never would have any intimate connection with _us_.

And for five weeks, ever since I knew that I must certainly go out with this expedition, I had been living in black funk; in shameful and appalling terror. Every night before I went to sleep I saw an interminable spectacle of horrors: trunks without heads, heads without trunks, limbs tangled in intestines, corpses by every roadside, murders, mutilations, my friends shot dead before my eyes. Nothing I shall ever see will be more ghastly than the things I have seen. And yet, before a possibly-to-be-bombarded Ostend this strange visualizing process ceases, and I see nothing and feel nothing. Absolutely nothing; until suddenly the Commandant announces that he is going into the town, by himself, to _buy a hat_, and I get my first experience of real terror.

For the hats that the Commandant buys when he is by himself--there are no words for them.

This morning the Corps begins to realize its need of discipline. First of all, our chauffeurs have disappeared and can nowhere be found. The motor ambulances languish in inactivity on Cockerill's Wharf. We find one chauffeur and set him to keep guard over a tin of petrol. We _know_ the ambulances can't start till heaven knows when, and so, first Mrs. Lambert, our emergency nurse, then, I regret to say, our Secretary and Reporter make off and sneak into the Cathedral. We are only ten minutes, but still we are away, and Mrs. Torrence, our trained nurse, is ready for us when we come back. We are accused bitterly of sight-seeing. (We had betrayed the inherent levity of our nature the day before, on the boat, when we looked at the sunset.) Then the Secretary and Reporter, utterly intractable, wanders forth ostensibly to look for the Commandant, who has disappeared, but really to get a sight of the motor ambulances on Cockerill's Wharf. And Mrs. Torrence is ready again for the Secretary, convicted now of sight-seeing. And I have seen no Commandant, and no motor ambulances and no wharf. (Unbearable thought, that I may never, absolutely never, see Cockerill's Wharf!) It is really awful this time, because the President of the Belgian Red Cross is waiting to get the thirteen of us to the Town Hall to have our passports _vises_. And the Commandant is rounding up his Corps, and Ursula Dearmer is heaven knows where, and Mrs. Lambert only somewhere in the middle distance, and Mrs. Torrence's beautiful eyes are blazing at the slip-sloppiness of it all. Things were very different at the ---- Hospital, where she was trained.

Only the President remains imperturbable.

For, after all this fuming and fretting, the President isn't quite ready himself, or perhaps the Town Hall isn't ready, and we all stroll about the streets of Ostend for half an hour. And the Commandant goes off by himself, to buy that hat.

It is a terrible half-hour. But after all, he comes back without it, judging it better to bear the ills he has.

Very leisurely, and with an immense consumption of time, we stroll and get photographed for our passports. Then on to the Town Hall, and then to the Military Depot for our _Laissez-passer_, and then to the Hotel Terminus for lunch. And at one-thirty we are off.

Whatever happens, whatever we see and suffer, nothing can take from us that run from Ostend to Ghent.

We go along a straight, flat highway of grey stones, through flat, green fields and between thin lines of trees--tall and slender and delicate trees. There are no hedges. Only here and there a row of poplars or pollard willows is flung out as a screen against the open sky. This country is formed for the very expression of peace. The straight flat roads, the straight flat fields and straight tall trees stand still in an immense quiet and serenity. We pass low Flemish houses with white walls and red roofs. Their green doors and shutters are tall and slender like the trees, the colours vivid as if the paint had been laid on yesterday. It is all unspeakably beautiful and it comes to me with the natural, inevitable shock and ecstasy of beauty. I am going straight into the horror of war. For all I know it may be anywhere, here, behind this sentry; or there, beyond that line of willows. I don't know. I don't care. I cannot realize it. All that I can see or feel at the moment is this beauty. I look and look, so that I may remember it.

Is it possible that I am enjoying myself?

I dare not tell Mrs. Torrence. I dare not tell any of the others. They seem to me inspired with an austere sense of duty, a terrible integrity. They know what they are here for. To me it is incredible that I should be here.

I am in Car 1., sitting beside Tom, the chauffeur; Mrs. Torrence is on the other side of me. Tom disapproves of these Flemish roads. He cannot see that they are beautiful. They will play the devil with his tyres.

I am reminded unpleasantly that our Daimler is not a touring car but a motor ambulance and that these roads will jolt the wounded most abominably.

There are straggling troops on the road now. At the nearest village all the inhabitants turn out to cheer us. They cry out "_Les Anglais!_" and laugh for joy. Perhaps they think that if the British Red Cross has come the British Army can't be far behind. But when they hear that we are Belgian Red Cross they are gladder than ever. They press round us. It is wonderful to them that we should have come all the way from England "_pour les Belges!_" Somehow the beauty of the landscape dies before these crowding, pressing faces.

We pass through Bruges without seeing it. I have no recollection whatever of having seen the Belfry. We see nothing but the Canal (where we halt to take in petrol) and more villages, more faces. And more troops.

Half-way between Bruges and Ghent an embankment thrown up on each side of the road tells of possible patrols and casual shooting. It is the first visible intimation that the enemy may be anywhere.

May Sinclair opens her journal with a dedication poem that immediately establishes the book's central tension: she addresses the field ambulance men as those who 'did what I only dreamed.' This confession of inadequacy, paired with her vivid description of danger as a 'Huntress who flies before her quarry,' sets the tone for a record that is self-consciously subjective. Sinclair warns readers in her introduction that this is 'nothing more' than a 'Journal of Impressions,' and that those seeking solid facts should look elsewhere. The excerpts bear this out: she records not troop movements but the strange sight of clean glasses surviving in a shattered inn, and the transformation of a Quaker pacifist into a cheerful gunner.

The Quaker Turned Gunner

One of the most striking passages in the excerpts describes a former Quaker pacifist who now commands an armoured car. Sinclair notes his face has turned 'the colour of copper'—not the gentle copper of arts-and-crafts, but a 'truculent, damn-disarmament, Krupp-&-Co., bloody, ammunition copper.' The transformation is complete: he drinks whisky, swears like an able seaman, and has spent the afternoon 'potting Germans.' Sinclair's observation that 'no man could possibly be happier than this Quaker is now' undercuts any simple moral about war's horrors. The armoured car itself is a comic contraption: an ordinary touring car surrounded by 'mere matchboard' painted grey, with holes for machine-guns. When asked about its lack of protection, the crew replies it is 'for attack, not defence.' Sinclair captures the absurdity and the bravado without judgment, letting the details speak.

The Unbroken Glasses

In a ruined inn near Baerlaere, Sinclair and her companions find a table where 'a row of clean glasses still stood in their order as the landlord had left them; and not one of them was broken.' This small, precise image—amid wrecked walls and furniture—becomes a symbol of the ordinary persisting through catastrophe. Sinclair does not editorialize; she simply records the fact. The moment is framed by a comic episode: after the group runs back to the car, Mr. L. reproves Mr. M. for 'taking a lady into danger,' while Sinclair thinks it would be undignified to duck if shells came. The juxtaposition of the fragile glasses and the absurd concern for propriety reveals Sinclair's eye for the incongruous details that official histories omit.

The Limits of the Journal Form

Sinclair's introduction insists that many impressions were 'insubstantial to the last degree' and that few were set down on the spot. The excerpts show her working within these limits: she records what she saw and heard, but often without context or resolution. The soldiers are 'not particularly pleased' at the car's noise near their trench, but the incident passes without consequence. The evening entry at the 'Flandria' notes that Ursula Dearmer has been sent to Zele, but Sinclair does not explain why or what happens there. These gaps are not failures; they are the honest shape of a journal that refuses to fabricate coherence. Readers must accept that this is a partial, temperamental record—one that values psychological accuracy over completeness.

Sinclair's journal rewards readers who attend to its small, odd details: the unbroken glasses, the copper-faced Quaker, the matchboard car. She does not explain or moralize; she presents and moves on. The book is best approached not as a source of facts about the war, but as a document of how one writer's mind processed proximity to violence—with irony, self-deprecation, and a sharp eye for the absurd. Let the gaps stand; they are part of the record.

There’s a particular ache in May Sinclair’s diary—wanting the danger she signed up for, yet left with only the waiting. That same longing lingers in The Sword of Deborah: first-hand impressions of the British Women's Army in France, a quieter kind of courage. Strange how one war held so many stories of women straining at their own edges. I keep thinking about that. The Sword of Deborah: First-hand impressions of the British Women's Army in France — Reading Companion sits beside it on my shelf, almost like a reply.

Luke King
1 month ago

Carter Hernandez
1 week ago

Lucas King
4 weeks ago

Leo Ramirez
3 weeks ago

Luke Sanchez
1 week ago

4
4 out of 5 (5 User reviews )

Add a Review

Your Rating *
  • ...
    Linda Bailey Avila - 3 weeks ago
    {'rating': 3, 'text': "The author's impressions of Belgium under invasion offer a unique and often poignant perspective on the early days of World War I. The diary format provides a sense of immediacy, but it can be repetitive and skips around without much narrative structure. Still, it's a valuable personal document for those interested in the human cost of war."}

  • ...
    Louis Gordon - 3 weeks ago
    {'rating': 2, 'text': "While it's an authentic diary, this book lacks the depth and reflection needed to make it truly engaging. The author's impressions are mostly superficial, focusing on surface details without delving into the broader political or military context. As a result, it feels more like a travelogue of disaster than a profound examination of war's impact."}

  • ...
    Nathan Campbell - 1 week ago
    {'rating': 4, 'text': "A compelling and intimate diary that captures the shock and chaos of the German invasion of Belgium in 1914. The author's vivid descriptions of the refugee columns, the burning villages, and the resilience of the Belgian people are both heart-wrenching and inspiring. This is a powerful firsthand look at the civilian experience of war, rarely seen with such immediacy."}


Reader reflection

How did this book work for you?

Your answers remain private and are stored only in this browser.

Your progress 0 / 10
1

Which reading stage best describes you?

2

How much did you enjoy the reading experience?

3

Is this a title you would suggest to others?

4

Did the language feel accessible?

Related eBooks