Anecdotes of the great war, gathered from European sources — Story, Setting & Ideas
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For Anecdotes of the great war, gathered from European sources — Story, Setting & Ideas, the stored edition analysis reports 38,382 words, 2 hr 47 min estimated reading time, and 5 detected text sections.
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Project Gutenberg metadata also associates the work with “World War, 1914-1918 -- Humor, caricatures, etc.,” connecting these edition facts with the source record’s subject description.
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Read the Text
d he was a soldier, and asked the preacher to test him.
“Very well,” was the reply, “I will. Now, then, attention!”
This the soldier did as well as his condition would allow.
This order was also obeyed, though with some trouble.
And off went the valiant soldier, marching down the road at a quick pace, while the preacher resumed his address.
SUFFICIENTLY EQUIPPED
Recruiting Sergeant—“I can’t enlist you, my good man; you have only one eye.”
Patriotic Scotsman—“Hoots! that disna matter. Ye’ve tae shut ae e’e whin yer shootin’ onywey.”
A good recruiting story, told by an officer at Seaforth, shows how prone is a simple mind to be confused by the elaborate cross-questioning which the new recruit has to undergo. The officer was entrusted with the collection of particulars necessary for the allotment of allowances to the soldiers’ dependents.
He was interrogating a young fellow who did not seem to have a clear idea what it was all about.
“Next of kin?” he asked, in a sharp, business-like way.
The young soldier dropped his voice and became confidentially apologetic.
“I’m only wearing a jersey,” he replied; “my shirt’s getting washed.”
A young lad applied for work the other day at a shed in Burnley, where his three brothers had worked previously, but had ’listed.
The manager, a thorough patriot, told the lad he could find him two looms at once, and then asked him:
“How’s your brother Frank going on?”
“’E’s out at the front, sir, feighting.”
“Is your brother Albert out in France as well?”
“Yes, sir, ’e’s wi’ eawr Frank—same regiment.”
“Your eldest brother, Jack, will be out there also, I reckon?”
“No,” said the youngster, with a proud shake of the head; “eawr Jack hesn’t gone to France yet. ’E’s mindin’ India!”
“Do you mean that you want me to press your trousers?” she demanded, with all the sternness she could muster.
“Why, certainly, my dear,” replied Sergeant Euchre, affably. “Am I asking too much?”
“Well, I should just about think so, Charles William. I’d have you know that when you married me you didn’t marry a flat-iron.”
Charles William thought a lot. That same evening Mrs. Euchre chipped in with, “Oh, Charles, you might just button my dress up the back before you go out.”
But Sergeant Euchre merely filled his pipe as he chuckled softly, “Not much, popsy-wopsy. You must remember that when you accepted me you did not marry a buttonhook.”
And setting his cap at a rakish angle, he made for the sergeants’ mess.
BOUND TO KEEP OUT OF IT
A recruiting sergeant, holding forth on the absolute necessity of every man enlisting, encountered an Irish wit.
“Halloa, John! Why can’t you join the Colors? I don’t know how any man can stand aside in such terrible circumstances. Why, what would you do if the enemy came over here, eh?”
“Oh,” said John, “that’s the simplest thing on earth. Why, shure, I’d enlist for foreign service then.”
Private John Mackay was pondering over the common problem of “raising the wind.” He was absolutely stony, hadn’t even the money to buy himself a packet of “fags.” But as he pondered an idea of striking originality took shape, which so delighted him with its simplicity that he immediately put it into practice.
Entering a hut, which, along with hundreds of others, Kitchener has caused to be built to protect the soldiers from the changes of weather, he called to attention the party of new recruits.
“Gentlemen,” he began, as he produced a highly-polished silver watch, “I have here a watch to sell. I already have a wristlet watch”—here he used the conventional lie—“so there is no use keeping this one. Now, what do you offer for it?” The question was addressed to no one in particular.
Save for cries of “a halfpenny” and “threepence,” no one appeared to be interested. But Mac wasn’t downhearted. Advancing farther into the hut, he held up his hand.
“We’ll raffle it, then,” he suggested, still feigning that he believed he would get a purchaser. “Here is a pack of cards.”
The cards were handed over, shuffled, and with the actions of an expert card player, a recruit deposited a card in front of each of the assembled men.
“Now, each man back his card, threepence all round, and the watch goes to the highest card.”
This was done with remarkable speed, the recruits had pocket-money in plenty, and the schemer now gathered in his shekels. The cards were then turned, and the fellow who had managed to win rushed off to his corner, exultantly bearing his prize. Mac departed.
Carleton B. Case's 1916 compilation, Anecdotes of the Great War, gathers humorous newspaper items from European sources, presenting a deliberate counterpoint to the conflict's grimness. The foreword states that the war could not be "all slaughter and struggle" without relief, and the anecdotes serve as a "mild paliative." Case explicitly avoids the "bitterness and hatred" of contemporary German and British press, aiming instead for a tone that lets soldiers and civilians alike smile. The collection's structure—short, punchy vignettes—mirrors the oral tradition of trench storytelling, where a quick joke could ease tension. Notably, the compiler acknowledges gaps: Russian, Japanese, and other sources are absent due to limited access, not intent.
Diction and Dialect as Comic Devices
The anecdotes rely heavily on dialect and mispronunciation for humor. In "Has a Monopoly," a club member is mocked for being "the only fellow who knows how to pronounce the names" of war figures, suggesting that linguistic ineptitude is a social failing. More pointedly, "Not a Caruso" features an old lady whose son has enlisted; she pities the Germans because they will have to hear him sing "'It's a long way to Tipperary' on 'is lips." The dropped h's and colloquial phrasing ("P'r'aps you 'aven't 'eard of their cruelties?") mark her as working-class, and the punchline—"p'r'aps you 'aven't 'eard George sing!"—turns her pride into a weapon. The compiler preserves these speech patterns, letting the characters' own words generate the comedy rather than editorial commentary.
The Absurdity of Officialdom
Several anecdotes skewer bureaucratic rigidity. In "Blankety-Blank," a Mrs. Waring asks what language Belgians use, and her husband replies, "I know what language I'd use if I were a Belgian!"—a joke that relies on the unspoken profanity. More elaborate is the narrator in a later excerpt who, frustrated by a crowded train, addresses a German official with absurdly ornate language: "Thou transcendental Triton, is it thus that the confidential visitors... are rewarded?" The official's response—"Are you Suffer-gette?"—mishears "suffragette" and reduces the tirade to a category. The narrator is then placed in a horse-box, treated as a madwoman. The humor derives from the clash between inflated rhetoric and literal-minded authority, a theme that recurs in "Unintentional Limitation," where a vicar's patriotic fervor leads him to substitute "for three years or the duration of the war" for the marriage vow.
Trench Life and the Trivial as Survival
In "Permanently Postponed," Private Flynn complains not of being shot but of waiting "ten minutes for a smoke from Murtagh's pipe" that is shot out of his mouth. The anecdote elevates a minor inconvenience over mortal danger, suggesting that daily irritants matter more than bullets. Similarly, "Nothing New to Him" features a captain boasting about hunting breakfast in the jungle, only for a young soldier to retort, "Yes, sir, and also of Ananias and Baron Munchausen." The soldier's deadpan reference to famous liars punctures the captain's authority. These pieces, likely drawn from soldiers' own accounts, show how humor defuses hierarchy and fear. The compiler's note that such anecdotes are "trivial" yet necessary for sanity underscores their psychological function.
The Home Front and Gender Roles
Women appear primarily as wives, mothers, or observers, often the butt of jokes about ignorance. In "English Humor," Bill teases Nell by reporting that the Prince of Wales "had a fall" and was unconscious—only to reveal he "fell asleep in his bed." Nell's concern is played for laughs, but the joke also critiques the public's appetite for royal gossip. More complex is the narrator in the train anecdote, a woman who adopts a pompous, pseudo-intellectual voice ("I will endure no more obliquity") and is dismissed as a "Suffer-gette." The humor here cuts both ways: the narrator's pretension is absurd, but the official's misogyny is also exposed. Case includes these voices without overt moralizing, letting the reader gauge the social tensions beneath the laughter.
Readers should approach this collection as a historical artifact of wartime morale, not a comprehensive history. The anecdotes are brief and often rely on stereotypes or puns that may feel dated. Pay attention to who is speaking—soldiers, civilians, officials—and what their word choices reveal about class, nationality, and gender. The compiler's deliberate omission of bitter propaganda makes this a unique record of how Europeans chose to laugh during the Great War, even as the fighting continued.
I found myself smiling over the absurdities in Anecdotes of the Great War—the way laughter bridged trenches. Yet later, a quieter thought settled in, recalling The Campaign in Russian Poland — Themes and Context. Different war, same ache beneath the jest. Humor was a shield; suffering, the weight behind it, remembered softly between pages.
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