"Crumps", The Plain Story of a Canadian Who Went — Reading Companion
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"Crumps", The Plain Story of a Canadian Who Went — Reading Companion can be approached with a clearer sense of reading commitment from its source measurements: 31,732 words, 2 hr 18 min estimated reading time, and 9 detected text sections.
The text analysis averages about 16.8 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “World War, 1914-1918 -- Personal narratives, Canadian,” connecting these edition facts with the source record’s subject description.
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barking, and battalion after battalion arriving and going aboard. Those who came from Valcartier have had a rough time. They actually look as if they had come through a campaign. It gave me thrills all day to see these fine men come through the dock-gates with a steady swing. It is a magnificent contribution to any army. It’s good to think of all these men coming at their country’s call.
Some day, if I get back, I want to paint a picture of the fleet assembled at Quebec. The grays and greens looked really beautiful. Quebec, the city of history and the scene of many big battles, views with disdain the Canadian patriotism in the present crisis, and we had no send-off, no flags and no bands.
This letter will not be mailed for ten days, until we are well on the way over. We are crowded, and if we are going through the tropics we shall have a bad time; it is cold now, so we don’t notice the congestion.
We had one hundred and forty horses aboard and two batteries of heavy artillery, besides our own armored cars. All the transports are crowded. We were passed by about ten of the other boats, and as they did so we cheered each other. The thin lines of khaki on all the ships will make a name for themselves. I’m proud I am one of them.
We’ve had a big dose of vaccine pumped into our arms to-day. This will be the last letter I send before I arrive, wherever we are going.
The Corinthian sailed from Quebec to Father Point, where a patrol boat arrived with orders. We then sailed into the Gulf, but toward evening we turned into the coast. When we passed Fame Point Light a small boat, which afterwards turned out to be another patrol boat, sailing without lights, flashed further orders to us. The Corinthian immediately turned round and headed back. The minute the patrol boat’s signal light went out we were unable to distinguish it from the sea. The coloring is a good protection; even a boat, close to, sailing without lights, it is impossible to pick out. Apparently our orders were to cruise around until daylight and then sail for the Bay of Gaspé, and this morning at daybreak we sailed into that beautiful, natural harbor, which is big enough to accommodate the entire British fleet.
I expect that to the villagers living around this harbor all events will date from to-day—to-day, when the wonderful sight of twenty-five ocean liners drawn up in battleship formation in this quiet place, deserted except for an occasional visit from a river steamer or fishing craft, greeted their gaze.
Five gray fighting ships are mounting guard, and by their signals and pinnaces chasing backward and forward between the troopers are bossing the show. A corporal, a South African War veteran, as we looked at them, quoted Kipling’s
“The liner she’s a lady With the paint upon ’er face, The man o’ war’s ’er ’usband And keeps ’er in ’er place.”
Towards noon a smart launch came alongside. Even at a distance the boys were quick to recognize our popular minister of militia, Sam Hughes, and a thundering cheer rang out. With him were several soldiers who threw bundles of papers aboard. These were printed copies of his farewell to the troops. His launch sailed by the ship, and then on to the next and so on, through the fleet.
Our orders forbade the display of lights or even striking of matches after 6 P.M.; consequently all lights were masked to-night on the vessels, except those on the Royal Edward. The minute her lights were put out the Bay resumed its normal condition, not even the outlines of the vessels being visible.
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A press photographer on a launch has been taking pictures all the afternoon. Sailed at five o’clock this afternoon just as the twilight commenced. We sailed out in three lines. The convoy is now under way and we extend as far as can be seen in both directions. We have two military police patrols whose chief duty is to see that no matches are struck on deck. Bill, who smokes more matches than tobacco, has had to go below so often to light his pipe, that he has decided to do without smoking on deck. It is surprising how far a match struck in the dark will show. We noticed how matches struck on the other ships showed up last night. All our portholes are screwed down with the heavy weather irons and those of the second-class cabins are covered with blankets. The authorities are taking no chances.
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We are having physical drills and lectures all day, and we are working just as hard on board as we would ashore. Our speed will not be more than nine knots; the speed of the slowest vessel regulating the speed of the whole fleet.
Matches are getting very scarce. We complained about the tea to the orderly officer to-day; milk is running out, so the tea is made with milk and sugar in. We asked to have the three separate, but we were told that if we complained we would have all three taken away. As a floor stain it’s great, but as tea it’s a failure.
We are quartered in the steerage part of the ship and our food is in keeping. It is really remarkable how they can consistently get that same coal-oil flavor in all the food.
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War news is signaled from ship to ship by semaphore flags by day. It is posted up in the guard room daily. The news that the Indian troops landed in France on the 29th of September was the chief item on the bulletin yesterday. We’re short on things to read. Scraps of newspapers are devoured, even to the advertisements. In our cabin we have a “Saturday Evening Post” of September 26th which is thumb-marked and torn, but it is still treasured. We were not allowed to bring anything besides our kit on board on account of the limited space.
Reveille blows at six o’clock and we have to answer the roll-call at 6.15. The idea is, that if the men get up and walk about, they are not so likely to get seasick, but in spite of that quite a number are sick. We have on board one hundred of our brigade; two hundred and sixteen heavy artillery and one hundred and forty horses, together with artillery officers and equipment. The horses take up the same space which in ordinary times is occupied by humans. Otherwise, we should have a great many more troops. Our destination is still a mystery. We’re a fleet without a port.
Have just been ordered on fatigue to take a prisoner on deck for exercise. He is to be tried by court-martial to-morrow for striking a sergeant. All day he is kept locked up and only allowed out at night for exercise, under escort. The escort consists of two men and a non-com. While on this job we watched the signalers flashing the war news from the stern of our boat to the bridge of the next astern, the Virginian. The news is flashed at night by the lamps—short and long flashes. The news is picked up by wireless on the flagship, the Charybdis, at the head of our line and signaled back from ship to ship.
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This is the list of the fleet. It is written here in the order in which they are sailing. Three warships are heading the fleet; the flagship is the H.M.S. Charybdis, commanded by Admiral Wemyss, who distinguished himself a few weeks ago in the Battle of Heligoland.
H.M.S. Diana H.M.S. Eclipse H.M.S. Charybdis Caribbean Megantic Scotian Athenia Ruthenia Arcadian Royal Edward Bermudian Zealand Franconia Alaunia Corinthian (The transport on which I was shipped.) H.M.S. Glory Canada Ivernia Virginian Monmouth Scandinavian Sasconia Manitou Sicilian Grampian Tyrolia Montezuma Andania Tunisian Lapland Montreal Laurentic Cassandra Laconia Royal George H.M.S. Talbot
The H.M.S. Glory, the vessel on our starboard beam, altered her course to-day and held up a tramp steamer. We could just see the two vessels through our glasses. Apparently everything was all right as the tramp was allowed to go on her way afterwards.
We are all given our boat stations. This afternoon a submarine alarm was sounded. Everybody on board, including the stewards, had to drop everything and chase to the boats. In the excitement a cook shot a “billy” of soup over an officer’s legs, much to our silent delight.
Thinking it over, it will be remarkable if the Germans allow us to cross without making some attempt to sink a few transports. Besides the actual loss of the men, the demoralizing effect it will have on the recruiting would count a great deal. No man likes to be shot or drowned without a show.
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I am writing this in my cabin, which is only nine feet by six feet and in which six of us sleep at night. Besides living in it we have to keep all our equipment clean, which is some job!
About eleven this morning a commotion occurred in the middle line. The cruiser heading it and the second ship, the Royal Edward, turned back. Also several other boats turned in their course. As we have very little excitement we hoped it might be a German attack, for we all want to see a naval battle. I looked at the cruiser through powerful glasses and saw sailors fixing up the starboard lifeboat, so we presumed that it was simply a case of “man overboard.”
A big cruiser has joined our fleet and is acting as a flank guard about three miles away from our starboard side.
We have a great deal of physical exercise in spite of the rolling of the deck. This morning, while in the middle of it I was called away to dress and form part of an escort to the prisoner who was to be tried by field court-martial to-day. The court was very dignified, and it took a long time owing to the inexperience of the officers in such matters. It was the first court-martial I have seen,—the proceedings are strictly legal, being conducted according to the book, and with the officers wearing their swords. The poor devil expects two years.
We have been pitching and tossing a great deal to-day. Physical exercising on the sloping decks is becoming a mighty risky thing.
Quite a number of the transports have guns mounted on board so they are not entirely dependent on the cruisers. It looks as if we are sailing north of the usual trade routes. I have just heard that five more battleships are on the starboard beam. They came into sight early this morning, but have since been out of sight. We are sailing north of the trade routes.
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The fleet is being increased. All ships are stopped. Those sailing west are allowed to go after being boarded; those going in the same direction as ourselves are made to fall into line, so there will be no danger of the news of our sailing reaching Europe ahead of us. If we continue to pick up ships sailing in our direction, the fleet will be enormous by the time we arrive at our unknown destination. We sailed two hundred and twelve miles the last twenty-four hours.
Two more transports have joined us. They came from Newfoundland. I hear that we now have forty-three ships in the fleet. We sail at ten cables’ length apart, about one thousand yards.
We are getting into more dangerous water evidently. Early this morning the Royal George steamed up from the end of the line and took up a position at the head of the fleet, but in line with the battleship Glory about three miles away on the port. The Laurentic took up a similar position on the starboard. Both these ships are armored and have guns mounted on them. They are being used as scouts.
We all rushed up on deck to see a cruiser pass close to us this midday. It was a magnificent sight. She was either the H.M.S. Bristol or the H.M.S. Essex; her name was painted The bluejackets were massed on the decks forward and as she went by the marines’ band played “The Maple Leaf Forever.” We returned cheers with the sailors. It gives you a great thrill to see a British ship and to have the knowledge of what it represents. To be British is a great thing, and I’m proud to think that I’m going to fight for my country. When this war is over and men are talking round a table, it will be, “Where were you fighting during the war?” not “Did you fight during the war?”
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I’m in a gun-cleaning squad every afternoon. To-day I cleaned the machine gun on which I’m second gunner. We treat our machine guns as if they were pets. No one will ever be able to say that my gun is dirty. It will probably be my best friend some day.
The finding of the court-martial was read out to us on full parade this afternoon. First the “Heavies” were lined up on all sides of the deck, then the “Mosquitos,” as the Machine Gunners are called, lined up inside; the prisoner between an escort was led up in the center. It was wonderfully impressive. I felt that I was to witness the condemning of a fellow soldier to a number of years of hard labor. Over the whole assembly there came a deathlike silence and the finding of the court was read to us by an officer, the sentence being thirty-six days!
The second steward told me that it took two hundred carpenters twelve hours to tear down the cabins and fix up horse fittings. First the authorities made arrangements to ship a thousand troops on this ship. We’re crowded as we are now with only three hundred odd. I hate to think what it would have been like with a thousand.
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Early this morning a large man-o’-war came up on the port at a speed that made everything else seem to stop. We have now battleships on all sides. This ship, although a long way off, looks tremendous. She is one of the latest super-dreadnaughts.
I was on guard last night when one of the cruisers came alongside to TALK to the captain about having lights showing in some of the ports. I enjoyed it immensely, for I discovered that the British Navy, true to tradition, was still able to maintain its high level of profanity. The ship is in pitch darkness and there is no moon. On deck it’s almost impossible to walk it’s so dark. Tonight is supposed to be the night on which the Germans are going to make a raid. I am going to sleep on deck so that I shall not miss anything. I’d hate to miss the chance of seeing a naval engagement. I can’t see how the Germans can possibly let a chance go by. A nervy cruiser could sink any amount of ships. If the British Navy were up against us they would have had a cut in before now.
Slept on deck last night. Nothing happened except that early this morning a French cruiser joined us, and I got covered with smuts from the smokestack.
The Admiral has received one hundred and twenty-six words of war news, but will not let us have them. Probably they’re disastrous. We break up to-night or to-morrow. It’s scarcely likely that the whole fleet will be taken to one port at the same time.
That super-dreadnaught passed down the columns to-day. She is of tremendous size and travels at high speed. She is probably the Queen Mary.
Expect to see land Wednesday.
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Blowing a gale. All day the spendrift has been blowing over. The decks have been too wet for parades, thank God! All the way over we have had physical exercise, sometimes as much as four hours a day. We’re all in fine physical condition.
To-day we were allowed to wash our clothes. I can see the advantage of khaki now. Even after working hard on my clothes, my underwear is still dark white. The rails were covered with underwear and socks when the storm started. Now every square inch below is used for drying clothes. Even the electric lights are festooned. We have a final kit inspection to-morrow and then we pack for disembarkation. We are only about one hundred miles from the “Bishop’s Light.”
It has been a very long voyage and we have been very cramped. All our equipment has to be carried in our cabins. Try sleeping six men with all their outfit in a cabin nine feet by six feet. The ship carpenter has a standing job to repair our cabin. We have rough-housed so much that his attention was continually necessary. The trip has been so long that we are now beginning to hate each other. I went down in the stoke-hole and the engine-room. Even amongst the whirling machines it was more peaceful than in our quarters. It seems months since I was in Montreal last.
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Dear Old England in sight!
We’re passing the Lizard now.
The kit has all been inspected and we hope to land to-morrow some time.
We’re lying in the historic harbor of Plymouth; arrived here about two hours ago. We’re surrounded by fast little torpedo-boat destroyers, which are chasing round us all the time like dogs loosened from a chain. The breakwater has searchlights mounted on each end and fixed lights are playing from the shore. As the lights occasionally flash up the ships in the bay, it is as bright as day. Nobody is allowed ashore, not even the officers. We may go on to Southampton, only we must get there before five at night. After that time nothing is allowed in.
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Sailed at daybreak on to Devonport. Most of the transports are now lying in pairs at anchor in the harbor. We’re close to the shore. We can see naval “jolly boats” and pinnaces sailing back and forth. On one side are lying the H.M.S Powerful and another boat, both of which in their day were the pride of the Navy. The Powerful was the boat which made such a name for herself in the Boer War. Now both of these vessels are training ships and obsolete so far as this war goes.
All our haversacks have been boiled in coffee to stain them khaki.
One of the Navy steam launches came by and we asked them to get us newspapers. They came back with a bundle and we nearly had a riot trying to get at them.
It was only to-day that we heard of the fall of Antwerp, the atrocities of Belgium, and the treachery of Maritz in Cape Colony.
We shall be getting off in a few hours and this may be the last I shall write for some time. I have put in a great deal of time during the voyage writing and have done so under difficulties. Sometimes the cabin has been torn in pieces, and often arguments, carried on by leather-lunged opponents of “Kultur,” have made this work hard.
We hear that some paper published an account of the sinking of twenty of the ships. This rumor is false, and it’s a beastly thing for the newspaper to do, but you must remember to discount all news a great deal.
The narrative opens not in the trenches but in the Laurentian Mountains of Quebec, where the author was sketching during the summer of 1914. This initial setting—a landscape of beauty, hunting, and artists—establishes a stark contrast with the war zones to come. Keene’s identity as an artist is not merely biographical; it shapes his observational style, as he later describes the war-torn landscape as “pockmarked with shell craters like a great country with a skin disease.” The book’s structure moves from this peaceful sketching life through training camps in Canada and England, then to the front lines, where the author serves with a motor machine-gun section. The episodic, diary-like format captures the disjointed rhythm of wartime experience, alternating between mundane details—like the pump “in the center of the manure heap”—and sudden violence.
From Sketchbook to Service
Keene’s transformation from artist to soldier is traced through the book’s early chapters. The opening pages depict a world of “black flies” and worries about “the price of my tubes of color,” a far cry from the later concerns about shell fire and trench mirrors. The author’s father appears as a sketching companion, and the news of war arrives belatedly, via newspapers two or three days old. This slow infiltration of global events into a remote pastoral setting underscores the sudden rupture of war. The structure here is unhurried, allowing the reader to inhabit the pre-war normalcy before the narrative accelerates into training and deployment. Keene’s eye for detail—the depot, the restless waiting—foreshadows his later ability to capture the texture of military life.
The Language of the Trenches
Keene documents the evolving lexicon of the front, noting that “Blighty” is a wound that sends a man home, a term “originally from the Indians, but now universally adopted in the new trench language.” Such linguistic observations recur throughout the text, revealing how soldiers coin and repurpose words to cope with their environment. The title itself, Crumps, refers to a type of shell, and the book’s illustrations—listed as “The ‘Crump’” and “Whiz-Bangs”—further emphasize this specialized vocabulary. The narrative also records the dark humor of the trenches, as when Keene remarks that “the mineral rights of this territory should be very valuable some day” after the war has “salted the earth with nickel, lead, steel, copper, and aluminum.” This blend of technical jargon and ironic commentary gives the account a distinctive voice.
Motor Machines and Mud
A recurring structural element is the movement of motor machine-gun units. Keene describes how the guns are not fired from the motorcycles themselves but are brought up as close as possible to the front, then carried by hand through the trenches. This logistical detail—the separation of transport from combat—shapes the narrative’s pacing, as journeys to the line are punctuated by shelling, ruined cottages, and the need to avoid attracting attention. The author’s billet in a loft “amongst rags, old agricultural implements, sacks, and the accumulation of years of dirt” contrasts with the earlier pastoral scenes. The repeated image of the pump on the manure heap becomes a grimly comic motif, grounding the reader in the physical reality of farm billets turned into temporary homes.
Ypres and the Architecture of Ruin
The account of Ypres is one of the most vivid set pieces. Keene writes of a town “on everybody’s lips for months” and describes devastation that “baffles description,” comparing it unfavorably to the San Francisco earthquake. He notes that much of the shelling was done “to deliberately destroy the objects of architectural value,” a detail that speaks to the cultural destruction of war. The narrative’s structure here shifts to a more reflective mode, with Keene observing that “Belgium will have to be rebuilt entirely, or left as it is, a monument to ‘Kultur.’” The use of the German term in scare quotes underscores the ideological dimension of the conflict. This section also introduces the major living in a smashed prison, a former master of foxhounds now past the age limit—a figure who embodies the war’s disruption of ordinary lives and hierarchies.
Keene’s account is valuable not for grand strategy but for its accumulation of small, telling details: the hot shell fragments, the trench mirror, the flies at dawn. Readers should attend to the interplay between the author’s artist’s eye and his soldier’s practicality, and to the way the narrative’s episodic structure mirrors the fragmentation of front-line experience. The book’s illustrations, listed but not reproduced in this edition, would likely reinforce these visual and thematic patterns.
I finished Crumps the other night and kept thinking about how quiet it felt, even in the noise—that strange calm between shell craters, like the pause before you remember something sad. It made me remember another voice from the same years, less torn but equally honest, and I found myself lingering there too. Average Americans — Context and Discussion holds that same steady, unglamorous witness, and I think you’d feel it the way I did.
Owen Sanchez
3 weeks agoMichael Carter
1 month agoMadison Roberts
4 weeks ago-
Bonnie Barnes - 1 month ago
{'rating': 5, 'text': "Crumps is a delightful and immersive read that captures the essence of a Canadian soldier's journey with authenticity and heart. The author's vivid storytelling brings every moment to life, from the camaraderie to the challenges faced. It's a poignant, humorous, and deeply human account that resonates long after the last page. A must-read for history buffs and anyone seeking a truly engaging narrative."} -
Kenneth Moore - 3 weeks ago
{'rating': 3, 'text': "Crumps offers an interesting perspective on the Canadian experience in WWI, with engaging prose and memorable characters. However, the pacing can be uneven at times, with some sections dragging more than others. Still, it's a solid read for those interested in personal war narratives."} -
Kelly Samantha Banks - 3 weeks ago
{'rating': 2, 'text': "While Crumps has its moments, the narrative often feels disjointed and lacks a clear focus. The author's style can be overly descriptive, which slows down the story. It might appeal to dedicated historians, but general readers may find it hard to stay engaged."}
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