Dinsmore Ely, One Who Served — Context and Discussion
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Crusader of old inspired by higher and holier motives. In his letters home, which we have the privilege of giving to the public, there is revealed a knightly soul: the soul of a Bayard “without fear and without reproach.”
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Of old Scotch-Covenanter blood he came.
Into the Presbyterian Church he was born, and at her altar dedicated to the service of his God.
Taken back, when four years of age, to the old home in the Pennsylvania hills, he was present at the Centennial Celebration of the church where his ancestors have worshiped for five generations.
Called on to say his little speech—I can see him yet—he marched bravely down the long aisle of the crowded auditorium, climbed up the pulpit steps, too high for his short legs and, facing the great audience, the childish treble rang out true and clear, as he volunteered for his first service under the banner of the Cross:
My name is Dinsmore Ely, I’m only four years old; I want to fight for Jesus and wear a crown of gold; I know he’ll make me happy, be with me all the day; I mean to fight for Jesus, the Bible says I may.
Twenty years passed. His country called. Among the first to answer, he volunteered in the American Ambulance Field Service that he might secure immediate passage to France and go at once into active service. Arriving there on the fourth of July, 1917, on the sixth he volunteered and was accepted the same day, in the Lafayette Flying Corps.
Taking his aviation training for a fighting pilot in the French schools and leaving the last school in January, with the reputation of wonderful skill as a flyer and aerial gunner, he volunteered at once for service with a French escadrille, serving and fighting with it from January to April in the Toul Sector near Verdun, when his escadrille was ordered to Montdidier, then the center of the great German drive.
On reaching Paris, he was notified to report at American Army headquarters to receive his commission in the United States Army. Having received it, at his own request, he was assigned as a detached volunteer American officer to go into battle at once with his old French escadrille.
On the following day, in closing his last letter to his parents, he wrote, in a single short sentence, his creed as an American Soldier, and, all unknowingly his own epitaph, now carved in stone upon his grave in the cemetery at Versailles, the heart of France:
_It is an investment, not a loss, when a man dies for his country._
Flying in his Spad to Montdidier, Death met him near Villacoublay.
In his poem, _To Whom the Wreath_, an appeal for the fatherless children of France, he wrote:
Give us to help beat back the Hun, But give the French the honor won; Pray God, we’ll know when Death is done, That France is safe and Children’s Homes.
Death is done, my Soldier Son, and you know, aye, you know, that France is safe and children’s homes.
And the little mother (ah! well we ken, Laddie, you and I, how much she gave herself to you) sends you this message:
“Thank God I gave my boy to be a Soldier,”
and saying it, her face glowed with the pride of the mother whose first-born son, flying in the heavens, was transfigured before her eyes as he soared upwards into the presence of his God.
We’ll nae’ forget you, Laddie, and we’ll be greeting you soon, but while we tarry here, sitting often alone by the fireside in the old home you loved, we won’t grieve for you, Laddie, and if we are a wee bit lonely at times, we will open the treasure box of “pleasant memories” you left us and let the joy of them fill our hearts.
_Winnetka, Ill., March 1, 1919._
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_Monday, June 25, 1917._
O great day! O wonderful world! O fortunate boy! Can it be I sail for France—France, the beautiful—the romantic—the aesthetic, and France the noble—the magnificent? Yes, it is true. It is all real. The babbling crowd and gangplank and piled trunks and excited companions—the hissing, roaring, thundering whistle, the cry of shrill voices, the moving of mass, the joyous and sad faces, waving handkerchiefs, passing boats and docks, the Battery, Liberty, the open sea—and New York fades behind with the pilot boat taking back the last letters of frantically written farewells. The noise is past now; there is a strange silence as the gentle swell of a calm ocean comes to us; we become aware of the steady throb of the engine. People wander about restlessly with hands dangling at their sides. They know the past; they try to realize the present; they are ignorant of the future. We are on the great Atlantic, we are sailing to France!
Five-thirty found me wide awake, so I got up, and with great difficulty succeeded in making the _steward de bains_ understand that I wanted a bath. They all speak French very fluently—just as fluently as I speak English. Well, I shall know how to take a French bath by tomorrow, or know the reason why. There were only a few on deck, so I had a good walk. Breakfast (_petit déjeuner_) was at six-thirty. Real breakfast comes at ten-thirty, but one eats so often that it is too tiresome talking about meals. The real topic of conversation is seasickness. It is enough to make anybody sick. Everyone looks at everyone else and at themselves in the mirror to see if they can find or create symptoms. The ocean is as smooth as glass, and still they talk. If I am to be seasick, it must come naturally. Darn if I’ll create my own atmosphere. The boundless blue is the most beautiful and serene outlook imaginable. It is great. Already I am at perfect rest. After breakfast I went right to sleep on the deck. At nine there was a Y. M. C. A. French class on the hatch cover, and we joined them. It is a “blab” school in which everybody yells in unison with the leader. It is very funny while your voice lasts, and remarkably instructive. It gives confidence in pronunciation. There are a lot of people outside of our party whom I know. Probably more will turn up. I have not met all our own men yet.... Well, there is time to burn. The day was mostly spent in lounging about. I did not try to make any acquaintances. Dave Reed and I were lucky enough to get chairs. He is the “salt of the earth.”
We had a preliminary life-insurance drill today, which consisted in our assembling in our proper positions on the deck, and then going to dinner. Rumor has it that on the last trip this boat had its rudder shot off and that our captain sank a submarine. Yesterday a freighter passed and they kept our guns trained on it from the time it came in sight till it sank away to the rear. The Germans are using such boats now to sink transports. We are not allowed to open portholes, and the lighting of matches and cigarettes is forbidden on deck at night. This sounds like war. From the time when I first read _Treasure Island_ and _Via Crucis_ I have envied those who lived in the ages of pirates and crusaders and Indians. I felt that they faced real hardships and fought real foes—in short, lived life to its fullest—while we, raised on milk and honey, were deprived of the right to face our dragon and bear our metal. But behold! Here we are facing the greatest foe of civilization in the greatest war of Christendom—a war not merely of steel and brawn—but a war on and over and under the seas; on and around and through the earth—a war in which plants and animals and all that is animate take part—a war of physical energy, mental versatility, and worldly resource taking equal part. Here the war god is taking the world at its prime—a world thrilling with the vitality and enthusiasm of achievement. He is taking this world which for thousands of years man has labored to cultivate and promote, and is marring and crushing it and sending it hurtling back through the ages to another hopeless, obscure beginning, and we are insects upon its surface. Each one of us gambles with Fate, putting ingenuity against the laws of chance, to see if he will be crushed as the good old world rolls down the slope of progressive civilization into the murky vale of barbarism. And we live in this age. If we die, it is for the Cause. If we live, it is to see an era of remodeling which will be unparalleled. Maps and boundaries, governments and peoples, religion and science—all will be reconstructed. Terms such as “international law,” “humane justice,” “survival of the fittest,” “militarism,” “monarchy,” “culture,” and—who knows—perhaps even “Christianity,” may be laid away on the shelf as no longer practicable.
And, oh, the outcome! Will the lucky ones be those who go or those who stay? We are told that without doubt we go into transport driving. Me for aeronautics. It’s no use, I cannot think of anything else. It’s what I am best fitted for, and it is the way I was meant to live. Stake all—spend all—lose all, or win all—and that is as it should be.
As per father’s advice, I am reading a history of France. On my own hook, I am reading a _Reserve Officers’ Handbook_.
This morning we had setting up exercises on the foredeck. This afternoon, a doctor of some kind or other gave a lengthy discourse on the elements of philosophy. It was cloudy, but warm all day, and the sunset was beautiful. We gain half an hour a day on the clock. At this rate, we will be over in nine days if the weather continues.
_Friday, June 29, 1917._
This is really Sunday afternoon, but I want to keep up the bluff of seeming to write every day. As a matter of fact, I do not think that a diary should be written every day just because the person has resolved to do it. Anything so written is bound to be lifeless and uninteresting. As a catalogue of events, a diary would be monotonous reading. As an outlet to thoughts, it should be spontaneous. When events of importance take place, they will be incentive enough to write. This day has really been lacking in events—let it go at that.
There are some sad French birds trying to sing. It sounds like the first rehearsal of a ragtime opera, the cast being depressed by the experiences of the night before. I cannot grant them much.
Well, today we had track meet on board. Good exercise, entertainment, and time killer it was. First came the three-legged race; then the sack race; then the Japanese sword fight; then the cock fight; then the bar and jack fight; and finally the tug of war. Dave Reed and I had the three-legged race cinched when I, like a poor simp, started to go on the opposite side of a post from him and we fell in the final. I lost the sack race and won the Jap sword fight. I also won the bar and jack fight. They made me captain of the M. I. T. tug of war, and that is why we lost, because I was the hoodoo right through. The thing I did was the only one they forgot to award a box of candy for—that is my luck—but it was great exercise, and I slept better than any time yet.
A pretty fair wind is coming up. They have put two men in irons I understand; one for insulting a lady, the other for being drunk. There is far too much drinking to please me. I had my porthole open last night, and a wave slushed in and soaked my bed. This “rocked in the cradle of the deep” must stop for the present.
And the strange part about it is, that it seems like Sunday. The Lord made the water so rough that we almost got seasick. I do not know whether it made people more or less religious. I didn’t go in, because the fresh air seemed better for seasickness than a sermon would be. The waves were dashing over the prow and tossing buckets of water up on the deck, so I got on my waterproof outfit. You know, there is a system to the waves. The longer one watches them, the surer one gets, but it’s with the waves as with human nature. The laws governing them are so complex that one cannot discover them in a single short life. There was a good singing festival in the evening.
We have entered the danger zone. The life boats are swung out; the guns are uncovered, and the men beside them ready. Passengers are requested to sleep on deck with their clothes on and life preservers near at hand. The day is clear and calm and excellent for submarine fishing. This evening as the sun was setting, two whales spouted on the starboard sky line—get that “starboard.” Some claimed it was a sea battle between two submarines; others mentioned water spouts. A few of the _blasés_ who were nearsighted, said it was imagination. Everybody was a trifle nervous.
The people down in the steerage have great times. We sit up and watch them play buzz and elephant, and when the idea of the game is grasped we imitate them. Buzz is played by three men standing in a row. The middle man wears a hat. He puts his hands up to his mouth and buzzes like a hornets’ nest and then slaps the face of one of the other men. The man who is hit tries to knock off the hat. If the buzzer ducks quickly, the hat stays on. It is hard to describe, but fun to watch. The result is a good complexion.
Today, I made a pencil sketch, assorted my letters of recommendation and catalogued them, and read fifty pages of history. Never have I been content to do so little. Each day I approach nearer to perfect idleness by doing half as much as the day before, but at that, I am getting in better condition all the time.
Last evening at ten-thirty I strolled aft and looked down on the main deck below. The moon was shining dreamily on the smooth, billowy ocean, and there was a faint trickle of water at the prow. As our ship cut its path in the gossamer, phantom couples glided about on the moonlit deck to the soft, tinkling music of the ukuléle; gentle voices and soft laughter made you know the phantoms were real, yet it was all so like dream fairies dancing to a lullaby. It was one of those scenes which you recognize on the instant as a treasure in the scrapbook of memory, and you hold your breath to drink your fill at a single draught, that the impression may be perfect.... After the dance we took some exercises on the horizontal bar and then turned in on deck. Sleeping in the moonlight is great if one has the strength of intellect or fatigue of body to keep the mind off those who dwell in the moon. Each heart recalls a different name, but all sang _Annie Laurie_.
_Tuesday, July 3, 1917._
Well, today was the day a submarine was sighted about a mile to port at three in the afternoon. It submerged before any shots were fired, but the passengers on deck saw it and the captain swung the boat sharply to right and left. Everybody was pretty much excited. All day the calm surface of the ocean has been bespecked with drifting boxes, kegs and spars from ships, which have been sunk in the vicinity lately. Two dead horses drifted by. We are in the Bay of Biscay, and due to arrive at land in the mouth of the Garonne River at three tomorrow morning, and at Bordeaux at six in the afternoon. Today I have written ten letters, three days’ diary, have made a water-color sketch, and done twenty pages of history. To think we are to be in France tomorrow! Why, we are so close that we could row to shore now if the blooming Huns didn’t shoot us in the life boats.
But I don’t believe they’ll get us.
_Wednesday, July 4, 1917._
We slept out on deck in a fast wind. We had a fight with the steward because he wouldn’t let us bring our mattresses down on deck. We slept fitfully during the night, for danger was imminent, and at three o’clock we were awakened by hushed excitement. A little sail boat pulled alongside and the pilot boarded us. We had come to the harbor mouth and lights showed the promontories which marked the mouth of the Garonne River. Slowly we wended our way through the mine fields as the dawn broke through the haze; still we were not safe until the net gates of the harbor were pulled behind us. When the day was really with us, French soil was a welcome sight on either side. France, wonderful France! I went down and bathed, dressed in khaki uniform, packed my baggage, and then came out to enjoy the sights. They more than fulfilled all my hopes. The harbor was fairly full of all manner of boats, of which many were old, four-masted, square-rigged schooners. The shores were beautiful. A little town, Royan, nestled on the shore, its stucco tile-roof buildings ranging up from the water in picturesque terraces. Spires and towers protruded above the sky line of trees. Along the beach were beautifully colored bathing canopies. The bay itself was an olive-green. We stayed arranging our baggage and then started up the river. The countryside on either bank was as picturesque as an artist’s dream. It is the claret land of the château country, home of the world’s finest wines. Wonderful villas nestle up on the crest of wooded hills and the long rows of vineyards sweep down the slope to the little peasants’ farm houses on the river bank. These little farm houses with their small windows, low doors, and red-tile roofs are the most picturesque imaginable. The building material is a warm yellow stone or stucco, mellow with age, and the tile of the roofs is stained, weathered, and mossgrown, but most beautiful and wonderful of all is the natural environment. It seems as though nature had absorbed an education in art from the art-loving French. The trees in the manner of their growth have caught the spirit of refined cultivation, and grown in a limitless variety of oddly picturesque forms which want no training. A long line of stilted poplars with bushy heads march up the roadside over a hill. A few gnarled and hump-backed beeches squat about the little ferry wharf, and to the side are well-rounded clumps of maples and beautiful pointed boxwoods, while in the distance great bare-legged elms stand close together, their great arms waving great masses of foliage toward the sky. But it is all beyond description. It looks as if it had been laid out to the master-plan of a great landscape gardener. As we go up the river people run to the bank and wave and cheer from under the trees. We pass neat, newly built factory towns which house German prisoners in long barracks. Farther along, yellow chalk cliffs loom up on the left. Along the ridge are wonderful châteaux—not an extravagant show of wealth as in America, but substantial old country seats. At the base of the cliffs are little villages and the cliffs themselves are dotted with doors and windows where the peasants have cut cave dwellings.
The editorial note that opens this volume, written by Dinsmore Ely's father, James O. Ely, frames the letters as the record of a 'knightly soul' and compares the author to Bayard 'without fear and without reproach.' Yet the letters themselves resist such romantic gloss. Ely's prose is practical, wry, and often technical: he describes the Nieuport's wing surface in square meters, notes landing speeds of ninety miles an hour, and explains the progression from 'Penguin to Spad' as a series of mechanical upgrades. The father's prelude and the son's correspondence sit in productive tension, the one reaching for chivalric archetypes, the other grounding the reader in compressed air and steering buckles.
Diction of the Cockpit
Ely writes about flying with the precision of a mechanic and the wonder of a convert. He tells his mother that 'every experience so totally eclipses all expectations that you realize you were totally incapable of imagination in that field.' The sentence is characteristic: it builds from a general observation to a sharp, self-deprecating conclusion. He does not call flying sublime; he says the imagination fails. Elsewhere, he describes the eighteen-meter Nieuport as 'wonderful little things' that 'will do anything in the air.' The modesty of the phrasing—'little things'—contrasts with the daring of the activity. His vocabulary is drawn from the cockpit: 'double command,' 'solo,' 'twenty-eight meter,' 'eighteen.' He uses these terms without explanation, as if writing to an audience already initiated. This insider's lexicon gives the letters a documentary quality, recording not just events but the language of a specific community in a specific moment.
Structure and the Waiting Self
The letters are organized by date and addressed to different family members—Father, Mother, Bob—but they share a consistent structural pattern. Ely typically opens with a report on his training progress, then shifts to a reflection on the emotional or intellectual life of the aviator. On November 12, 1917, he tells his brother Bob: 'We go to work at six in the morning, and return at six in the evening, but the hardest work is waiting when there is too much wind to fly.' The sentence pivots from a schedule to a confession: waiting, not flying, is the trial. He fills that waiting with storytelling, toast-making, and reading a history of France. The structure of the letters—moving from action to reflection—mirrors the rhythm of the aviator's day, where bursts of intense activity are followed by long, communal pauses. Ely's voice is most vivid in these interludes, when he steps back from the technical and into the personal.
Recurring Details of Risk and Luck
Ely does not dwell on danger, but he registers it in offhand remarks. He mentions to his father that 'a two-passenger plane struck a solo plane in the air' and that 'all three aviators were killed,' then adds: 'That is a very rare accident, though.' The qualification is telling: he normalizes the extraordinary. In the same letter, he writes that 'the god of luck is the aviator's saint' and that 'those who doubt are probably those who do not come back.' These are not confessions of fear but observations of a professional culture. He treats risk as a variable to be managed, not a theme to be explored. The recurrence of such details—the rare accident, the luck, the doubters who do not return—creates a subdued pattern of awareness. Ely never says he is afraid; he says that fear is a practical liability. The letters thus offer a portrait of courage as a kind of applied pragmatism.
Voice Across Audiences
Ely adjusts his tone and content depending on his correspondent. To his mother, he writes of the beauty of a 'clear, crisp November day' and the wonder of aviation. To his father, he is more analytical, comparing the steering buckle of an automobile to 'hanging on wires and compressed air.' To his brother Bob, he is colloquial and confiding: 'You do not know how much your letters help to buck up a lonely brother sometimes.' The range is narrow but distinct. He never becomes sentimental or grandiose; even when he tells his mother that aviation 'totally eclipses all expectations,' the sentence is controlled. The letters to Bob are the most relaxed, filled with flying stories and the camaraderie of the training field. This variation suggests a writer who is aware of his audience and who uses the letter form to maintain different relationships across distance. The voice is consistent in its intelligence and restraint, but it is not uniform.
The letters of Dinsmore Ely do not constitute a memoir or a history. They are occasional writings, shaped by the exigencies of military training and the conventions of family correspondence. Readers should approach them as a record of a young man's voice in a specific time and place, not as a comprehensive account of the war or of aviation. The father's editorial framing—the prelude, the selection, the title—imposes a narrative of sacrifice that the letters themselves only partially support. To read them is to encounter a writer who is more interested in the mechanics of flight than in the metaphysics of duty, and whose most striking passages are those in which he describes not what he feels, but what he sees and does.
Reading Dinsmore Ely’s letters, I remembered my grandfather’s short notes from his own war—mundane details about mud and rations that somehow felt sacred. The War That Will End War — A Closer Reading once gave me that same ache, the gulf between what young men hoped and what they were given. Ely’s quiet voice stays with me now, like a photograph fading at the edges.
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